Gramophone November 2018
Blank Canvas, no boundaries
From Dvořák at the Proms to an all-Russian Disc, with some wacky transcriptions and street art along the way, cellist Daniel Müller-Schott is bowing in all directions, finds Richard Bratby.
“… From concertos to chamber music, Müller-Schott is always striking off in new directions, he sees any collaboration as another step towards becoming a ‘complete artist’ “
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